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Brutalism in Sound: Concrete Paris and The Gathering Grounds


Notes on Iklectik 2021 Event: “Brutalism in Sound: Concrete Paris and The Gathering Grounds”

  • Venue: Iklectik, Lambeth (independent performance space and research arts laboratory)
  • Collaboration with sound artist and composer Iain Chambers
  • Focus on Chambers’s 15-minute sonic score, “Concrete Paris”
  • Developed a new image and text projection sequence to accompany the performance
  • Sequence followed the rhythmic changes of Chambers’s piece
  • Explored a journey across Paris, combining imagery of Brutalist architecture with found objects and surfaces of the inner city at night
  • The event also featured the premiere of “The Gathering Grounds” (11 minutes)
  • Generated from fieldwork in the landscapes of Darwell and Powdermill reservoirs, East Sussex
  • Blend of black-and-white photography with a sonic composition made entirely from field recordings
  • Included a spoken narrative for three voices, constructed from fieldnotes
  • Montage of archival and social media texts from occupants and users of the land over time
  • Represented various perspectives, from engineers and archaeologists to ramblers and fishing clubs
  • Allowed different cultures of language to intersect, revealing different itineraries and modes of attention
  • Journey unveiled an increasingly contested landscape of diverse land use, ownership, and agency

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